{"id":4455,"date":"2021-06-04T05:30:29","date_gmt":"2021-06-04T05:30:29","guid":{"rendered":"https:\/\/blog-planet.com\/?p=4455"},"modified":"2021-06-04T05:30:29","modified_gmt":"2021-06-04T05:30:29","slug":"why-film-in-black-and-white-in-2021","status":"publish","type":"post","link":"https:\/\/www.blog-planet.com\/why-film-in-black-and-white-in-2021\/","title":{"rendered":"Why Film in Black and White in 2021?"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Monochrome films often get overlooked simply because they are associated with \u201cold\u201d cinema &#8211; that\u2019s what early 20th century films look like, why should we watch this when we now have colour? And of course there is a reason for this popular opinion; it is a risk for a production company to support a black and white release. The film has to be notable and exceptional in order to stand out if it wants an audience. So in this article we\u2019ll take a look at some of the most important aspects of why black and white film still has relevance in 2021.\u00a0<\/span><\/p>\n<p><b>Stand Out from the Crowd<\/b><\/p>\n<p><span style=\"font-weight: 400;\">As touched on in the introduction, if you make a black and white film it will stand out simply by virtue of not being in colour which can be good or bad. It means that there is hopefully a great reason for doing so &#8211; the cinematography or acting for instance is so captivating that it can exist without colour. Monochrome offers a unique appeal that means you can\u2019t just rely on stunning colours or golden hour light for catching the audience\u2019s eye &#8211; it has to come from the contents within the frame. As a result of the restrictive colour palette it can be very challenging to portray your film just in monochrome which is why it has to be so meticulously crafted &#8211; standing out may not be such a good thing if you can\u2019t back it up.<\/span><\/p>\n<p><b>A Sense of Memory<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Alfonso Cuar\u00f3n\u2019s <\/span><i><span style=\"font-weight: 400;\">Roma<\/span><\/i><span style=\"font-weight: 400;\"> is a recent example of a monochromatic success story and for good reason too, it\u2019s a wonderfully shot and acted film. The reason I chose this film is because a part of the director\u2019s vision was to give the film an overarching feel of nostalgia or that you\u2019re watching someone\u2019s memory which is why he chose to develop it in black and white. Interestingly it wasn\u2019t filmed that way, it was shot digitally in colour but was then painstakingly edited in monochrome during post production.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In this instance Cuar\u00f3n used black and white film\u2019s stigma of being old-fashioned to his advantage as it allowed him to present the film in an \u201cunrealistic\u201d or dreamy way &#8211; in the sense that we don\u2019t see in black and white but in colour. This also allowed him to play with textures and contrast to exaggerate this nostalgic feeling whilst also creating visual intrigue for the viewer. This is another great feature of black and white film which is that it allows for visual cues and effects that often go unnoticed in colour film. Texture in particular stands out in a monochromatic film; digital cameras can record immense detail and when stripped back of its colour, texture is really noticeable which <\/span><i><span style=\"font-weight: 400;\">Roma <\/span><\/i><span style=\"font-weight: 400;\">is a prime example of.<\/span><\/p>\n<p><b>Both Real and Surreal<\/b><\/p>\n<p><span style=\"font-weight: 400;\">As previously touched on, monochromatic filming allows a distortedly real view of the world and what I mean by this is that the picture or image is correct, with forms, light and shadow also being accurately represented, but it\u2019s the lack of colour that twists an audience\u2019s perception. Subtracting colour is one way to not only evoke \u201cthe past\u201d but it also subverts the viewer\u2019s experience of the film itself.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I\u2019ll use Robert Eggers&#8217; <\/span><i><span style=\"font-weight: 400;\">The Lighthouse <\/span><\/i><span style=\"font-weight: 400;\">here as reference because it\u2019s a great example of the power of monochromatic filming. The impact it has on his film isn\u2019t only that it looks great (thanks in part to the director of photography Jarin Blaschke) but it adds that uncertainty and possibility for the surreal or fantastical to take place naturally within this world. The stark black and white film emulation also allows for two great performances to come through without any visual distraction &#8211; all part of Eggers idea for filming in monochrome and in an almost square aspect ratio. The effect heightens the feeling of claustrophobia and the main characters\u2019 treading on one another\u2019s toes. <\/span><i><span style=\"font-weight: 400;\">The Lighthouse <\/span><\/i><span style=\"font-weight: 400;\">is a wonderful example of how black and white film is still relevant and successful but you must be absolutely sure of your creative vision in order to pull it off.\u00a0<\/span><\/p>\n<p><b>Learning Curve<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Shooting black and white film, much like in photography, is a great exercise in mastering the craft. It\u2019s not only that it\u2019s a different feeling but it just forces you to think about other things such as contrast, texture, tone, composition and more in other and maybe revealing ways. The concept of light and shadow which is essentially the entirety of photography and videography is much more obvious in stark black and white contrast. It\u2019s a great learning opportunity to explore imagery in a new way and one that can help to inform photography\/ cinematography in general &#8211; it applies to the whole gamut.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">For all these reasons and more, there is a purpose and intention behind monochrome films that is relevant today and in the future too. We\u2019re starting to see a few more great examples of black and white films filter into the mainstream consciousness which is great to see. Hopefully we\u2019ll start to see a bit more risk-taking from filmmakers in the future now that we\u2019ve seen commercially successful examples of monochrome films.\u00a0<\/span><\/p>\n<p><strong>Author Bio:\u00a0<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Andrew Farron works for <\/span><a href=\"https:\/\/fablestudios.tv\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Fable Studios<\/span><\/a><span style=\"font-weight: 400;\">, <\/span><span style=\"font-weight: 400;\">a Creative-led boutique video and animation studio that creates tailored brand stories that endure in your audience\u2019s mind. Fable combines your objectives with audience insights and inspired ideas to create unforgettable productions that tell the unique story of your brand.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Monochrome films often get overlooked simply because they are associated with \u201cold\u201d cinema &#8211; that\u2019s what early 20th century films look like, why should we watch this when we now have colour? And of course there is a reason for this popular opinion; it is a risk for a production company to support a black [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4456,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":{"0":"post-4455","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-business"},"_links":{"self":[{"href":"https:\/\/www.blog-planet.com\/wp-json\/wp\/v2\/posts\/4455","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.blog-planet.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.blog-planet.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.blog-planet.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.blog-planet.com\/wp-json\/wp\/v2\/comments?post=4455"}],"version-history":[{"count":1,"href":"https:\/\/www.blog-planet.com\/wp-json\/wp\/v2\/posts\/4455\/revisions"}],"predecessor-version":[{"id":4457,"href":"https:\/\/www.blog-planet.com\/wp-json\/wp\/v2\/posts\/4455\/revisions\/4457"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.blog-planet.com\/wp-json\/wp\/v2\/media\/4456"}],"wp:attachment":[{"href":"https:\/\/www.blog-planet.com\/wp-json\/wp\/v2\/media?parent=4455"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.blog-planet.com\/wp-json\/wp\/v2\/categories?post=4455"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.blog-planet.com\/wp-json\/wp\/v2\/tags?post=4455"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}